Vera (1921) by Elizabeth von Arnim is a black comedy based on her disastrous second marriage to Earl Russell: a mordant analysis of the romantic delusions through which wives acquiesce in husbands' tyrannies. In outline the story of this utterly unromantic novel anticipates DuMaurier's Rebecca. Naive Lucy Entwhistle is swept into marriage by widower, Everard Wemyss. His mansion "The Willows" is pervaded by the spectre of his dead wife Vera, with whom Lucy becomes obsessed. ... Here the servants are partisan for both wives, and lose no opportunity to disrupt Everard's unctuous, oppressive household routines. An extraordinarily black vision of marriage, also continuously funny, the novel's ...

The Princess Priscilla of Lothen Kunitz finds court life stifling and runs away to England with the elderly court librarian. Her intention is to live a pure and simple life filled with good works. But life among ordinary people in an English village is not what she expects it to be... (Introduction by Tabithat)

It’s a dreary February in post-World War I London when Mrs. Wilkins spots an advertisement in The Times for a small Italian castle for rent in April. She sees another member of her women’s club, Mrs. Arbuthnot, reading the same advertisement and manages to convince her that the two of them should rent it. Both are miserable and lonely in their marriages. They can’t afford the cost of the villa, San Salvatore, on their own and must advertise for two others, eventually recruiting an elderly widow named Mrs. Fisher, and Lady Caroline Dester, a beautiful young socialite desperate to escape from London and society. The four journey to Italy where San Salvatore works its magic separately on...

Die Geschichte einer deutsch - französischen Liebesverbindung, die nach schwerstem Missverständnis in Harmonie ausgeht.
Auf dem Höhepunkt des Konfliktes bedroht der Mann – Franzose, Kommandant einer Festung – in der Verblendung des Irrtums eine ganze Stadt mit Waffen- und Bombenterror. Aber zusammen mit der Gnade des vorgesetzten Offiziers, gelingt es der unbeirrten Liebe seiner deutschen Frau, den Konflikt aufzulösen.

„Gnade löst den Fluch der Sünde,
Liebe treibt den Teufel aus.“

(Zusammenfassung von Rolf Kaiser)

The Topics is is the fifth of Aristotle's six texts on logic which are collectively known as the Organon ("Instrument"). The Topics constitutes Aristotle's treatise on the art of dialectic—the invention and discovery of arguments in which the propositions rest upon commonly-held opinions or endoxa. Topoi are "places" from which such arguments can be discovered or invented. In his treatise on the Topics, Aristotle does not explicitly define a topos, though it is "at least primarily a strategy for argument not infrequently justified or explained by a principle."

De Sophisticis Elenchis is the sixth of Aristotle's six texts on logic which are collectively known as the Organon ("Instrument"). In De Sophisticis Elenchis Aristotle identifies 13 falacies. Verbal Fallacies are: Accent or Emphasis; Amphibology; Equivocation; Composition; Division and Figure of Speech. Material Fallacies are: Accident; Affirming the Consequent; Converse Accident; Irrelevant Conclusion; Begging the Question; False Cause and Fallacy of Many Questions.

The Rhetoric was developed by Aristotle during two periods when he was in Athens, the first between 367 to 347 BCE (when he was seconded to Plato in the Academy), and the second between 335 to 322 BCE (when he was running his own school, the Lyceum). The Rhetoric consists of three books. Book I offers a general overview, presenting the purposes of rhetoric and a working definition; it also offers a detailed discussion of the major contexts and types of rhetoric. Book II discusses in detail the three means of persuasion that an orator must rely on: those grounded in credibility (ethos), in the emotions and psychology of the audience (pathos), and in patterns of reasoning (logos). Book III ...

Prior Analytics is the third of Aristotle's six texts on logic which are collectively known as the Organon ("Instrument"). In Prior Analytics Aristotle conducts a formal study of arguments. In logic an argument is a series of true or false statements which lead to a true or false conclusion. Aristotle identifies valid and invalid forms of arguments called syllogisms. A syllogism is an argument consisting of three sentences: two premises and a conclusion. Of the entire Aristotelian corpus, Aristotle gives priority to the study of his treatises on Logic.

Posterior Analytics is the fourth of Aristotle's six texts on logic which are collectively known as the Organon ("Instrument"). Posterior Analytics deals with demonstration, definition, and scientific knowledge. Demonstration is distinguished as a syllogism productive of scientific knowledge, while Definition is marked as the statement of a thing's nature, a statement of the meaning of the name, or of an equivalent nominal formula.

Aristotle’s Poetics from the 4th century B.C. aims to give a short study of storytelling. It discusses things like unity of plot, reversal of situation, and character in the context of Greek tragedy, comedy and epic poetry. But it still applies today. It is especially popular with screenwriters as seen in many script gurus’ how-to books.