Art audiobooks

In seinen 17 Malerbriefen geht Wilhelm Ostwald in leicht verständlicher Weise auf die Physikalischen (Optik) und Chemischen (Pigmente, Bindemittel) Seiten der malerischen Techniken ein. Er bespricht das Pastell, Aquarell, Guasch, Fresco, Tempera und die Ölmalerei; erklärt die Wirkung von Lichtbrechung und Reflektion einzelner Farben im Zusammenspiel mit den unterschiedlichen Bindemitteln und den verschiedenen Malgründen. Nebenbei gibt er auch noch einige Rezepte zur einfachen Herstellen eigener Farben preis. Abschließend wird noch die Physiologische Seite der Malerischen Techniken angesprochen, indem auf die Darstellung subjektiver Erscheinungen (Blendwirkungen, Nachbilder) eingegangen wi...

Franz Moritz Wilhelm Marc (* 8. Februar 1880 in München; † 4. März 1916 bei Verdun, Frankreich) war ein deutscher Maler und neben Wassily Kandinsky Mitbegründer der Redaktionsgemeinschaft „Der Blaue Reiter“. Er gilt als einer der bedeutendsten Maler des Expressionismus in Deutschland.

Im März 1912 veröffentlichte Franz Marc im PAN (2. Jahrgang, No. 16) ein Artikel über die Neue Malerei, die als Kunstform des seelischen Ausdrucks dem Impressionismus (Darstellung der äußeren Erscheinung der Dinge) diametral gegenüberstand. Max Beckmann (* 12. Februar 1884 in Leipzig; † 27. Dezember 1950 in New York) kritisierte in einer Erwiderung im PAN die Ausführungen von Franz Marc scharf...

A Masterpieces in Colour series book. Very informative with a biography and critique of the artist's work and how well she was beloved.

Colección de ensayos e historias del viaje que Washington Irving realizó en 1828 a Granada, acompañado por el guía Mateo Jiménez. Una placa conmemorativa en la Alhambra recuerda que Washington Irving escribió allí mismo sus cuentos.

"The movie was born in the laboratory and reared in the counting-house. It is a benevolent monster of four I's: Inventor, Investor, Impresario, Imperialist." So begins Harry Alan Potamkin's The Eyes of the Movie, a posthumously published indictment of Hollywood. It is a savage socialist critique of the film industry, its practices, and products. Potamkin takes aim at the "conservative element" infiltrating Hollywood's dream factory, investigating mainstream cinema's double function as propaganda and "passing amusement."

There's Laughter in the Air takes readers on a sidesplitting romp through the world of old-time radio comedy. It gives a brief history of the medium and brief but intimate accounts of some of the biggest acts from the 1930s and 1940s. Gaver and Stanley give insight on several luminaries from the days of vintage radio: Jack Benny, Fred Allen, Fibber McGee and Molly, Burns and Allen, Amos 'n Andy, and more!

Reading the Cup is essentially a domestic form of Fortune-telling to be practiced at home, and with success by anyone who will take the trouble to master the simple rules laid down in these pages: and it is in the hope that it will provide a basis for much innocent and inexpensive amusement and recreation round the tea-table at home, as well as for a more serious study of an interesting subject, that this little guide-book to the science is confidently offered to the public.

This manual offers instructions on how to become a ventriloquist. Starting out from a general introduction of ventriloquism, it explains how sounds are formed in the human body and how the voice is used. It then provides exercises for the budding artist, and a number of dialogues for performances.

This "how-to" book covers everything for the 1800's illusionist, from stage presence & dress, program and stage arrangement, to how to do tricks with cards, coins, watches, rings, handkerchiefs, dominoes and dice, cups and balls, hats, and other apparatus. "I have purposely limited my disclosures to such illusions as have been sufficiently long before the public to be fairly regarded as common property. Within this limit I have endeavored to make my explanations as complete as possible; but to go beyond it would be to infringe a moral copyright, and to deprive gentlemen to whom Modern Magic is especially indebted, of the well-earned fruits of their labor and invention."

One of the earliest works of this Italian philosopher and literary critic, Aesthetic as Science of Expression and General Linguistic marks the beginning of Croce's elaboration of his highly influential ideas of aesthetics. Croce defines art in terms of intuition and expression, thus replacing beauty as the primary criterion for aesthetic evaluation.