Luís Vaz de Camões (c. 1524 — 10 de Junho de 1580) é frequentemente considerado como o maior poeta de língua portuguesa e dos maiores da Humanidade. O seu gênio é comparável ao de Virgílio, Dante, Cervantes ou Shakespeare.

A obra lírica de Camões foi publicada como “Rimas”, não havendo acordo entre os diferentes editores quanto ao número de sonetos escritos pelo poeta e quanto à autoria de algumas das peças líricas. Alguns dos seus sonetos, como o conhecido “Amor é fogo que arde sem se ver”, pela ousada utilização dos paradoxos, prenunciam o Barroco.

Nesta coleção, apresentamos uma recolha de Sonetos de Camões de tema filosófico. (Sumário adaptado da Wikipedia por Leni)<...

Luís Vaz de Camões (c. 1524 — 10 de Junho de 1580) é frequentemente considerado como o maior poeta de língua portuguesa e dos maiores da Humanidade. O seu gênio é comparável ao de Virgílio, Dante, Cervantes ou Shakespeare.

A obra lírica de Camões foi publicada como “Rimas”, não havendo acordo entre os diferentes editores quanto ao número de sonetos escritos pelo poeta e quanto à autoria de algumas das peças líricas. Alguns dos seus sonetos, como o conhecido “Amor é fogo que arde sem se ver”, pela ousada utilização dos paradoxos, prenunciam o Barroco.

Nesta coleção, apresentamos uma recolha de Sonetos de Camões cujo tema é o amor. (Sumário adaptado da Wikipedia por Leni)<...

The Lusiads (Os Lusíadas) is a Portuguese epic poem, written in the 16th century by Luis Vaz de Camões. The poem tells the tale of the Portuguese discoveries in the 15th and 16th centuries, specially the voyage to India by Vasco da Gama. Modelled after the classic epic tradition, Camões' Lusiads are considered not only the first literary text in Modern Portuguese, but also a national epic of the same level as Vergil's Aeneid. In the 19th century, Sir Richard Francis Burton translated Camões' Lusiads, in what he considered "the most pleasing literary labour of his life".

Camões (1524-1580) é o maior poeta da nossa língua, e Os Lusíadas a sua obra maior. Publicada em 1572, é poema épico em dez cantos, narrando os feitos dos Portugueses em suas guerras e descobertas marítimas, em uma visão maravilhosa e exaltada, grandiosa e de comovente patriotismo. Apesar das barreiras que se põem ao leitor moderno, as referências mitológicas às vezes recônditas, as menções a episódios e personagens históricos menos conhecidos, a sua modernidade é surpreendente e a pessoa do poeta se impõe admirável, concreta e única em sua genialidade. A força da linguagem, a beleza dos seus versos, desafia qualquer comentário.

Ada Cambridge (November 21, 1844 – July 19, 1926), later known as Ada Cross, was an English born Australian writer. While she gained recognition as Australia’s first woman poet of note, her longer term reputation rests on her novels. Overall she wrote more than twenty-five works of fiction, three volumes of poetry and two autobiographical works.[1] Many of her novels were serialised in Australian newspapers, and were never published in book form.

The story pans over three – four decades revolving the four Pennycuick sisters.

Institutes of the Christian Religion is John Calvin’s seminal work on Protestant systematic theology. Highly influential in the Western world and still widely read by theological students today, it was published in Latin in 1536 and in his native French in 1541, with the definitive editions appearing in 1559 (Latin) and in 1560 (French).

The book was written as an introductory textbook on the Protestant faith for those with some learning already and covered a broad range of theological topics from the doctrines of church and sacraments to justification by faith alone and Christian liberty, and it vigorously attacked the teachings of those Calvin considered unorthodox, particularl...

The world, if we choose to see it so, is a complicated picture of people dressing and undressing. The history of the world is composed of the chat of a little band of tailors seated cross-legged on their boards; they gossip across the centuries, feeling, as they should, very busy and important. As you will see, I have devoted myself entirely to civil costume—that is, the clothes a man or a woman would wear from choice, and not by reason of an appointment to some ecclesiastical post, or to a military calling, or to the Bar, or the Bench. Such clothes are but symbols of their trades and professions, and have been dealt with by persons who specialize in those professions.

FRANCES CALDERON DE LA BARCA, born in Edinburgh, 1804, the daughter of William Inglis. After her father’s death she settled in America, where she married the Spanish diplomat, Don Angel Calderon de la Barca. She accompanied him on his various appointments to Mexico, Washington, and finally to Madrid, where she was created Marquesa de Calderon de la Barca by Alfonso XII and died in 1882.
The present work is the result of observations made during a two years’ residence in Mexico, by a lady, whose position there made her intimately acquainted with its society, and opened to her the best sources of information in regard to whatever could interest an enlightened foreigner. It consists...

Sir Thomas Henry Hall Caine, CH, KBE (14 May 1853 – 31 August 1931), usually known as Hall Caine, was a British author. He is best known as a novelist and playright of the late Victorian and the Edwardian eras. In his time he was exceedingly popular and at the peak of his success and his novels outsold those of his contemporaries. Many of his novels were also made into films. His novels were primarily romantic in nature, involving the love triangle, but they did also address some of the more serious political and social issues of the day.
He was a lover of the Isle of Man and Manx culture and purchased a large house, Greeba Castle, on the island. For a time he was a Member of the ...

Commentarii de Bello Gallico (English: Commentaries on the Gallic War) is Julius Caesar's firsthand account of the Gallic Wars, written as a third-person narrative. In it Caesar describes the battles and intrigues that took place in the nine years he spent fighting local armies in Gaul that opposed Roman domination.

The work has been a mainstay in the teaching of Latin to schoolchildren, its simple, direct prose lending itself to that purpose. It begins with the frequently quoted phrase "Gallia est omnis divisa in partes tres", sometimes quoted as "Omnia Gallia in tres partes divisa est", meaning "All Gaul is divided into three parts".