This story opens at a fashionable dinner party in Sir Robert Chiltern's home in the heart of London's stylish Grosvenor Square. One of Lady Chiltern's old school-friends, Mrs. Cheveley, a woman with a dubious past, accosts Sir Robert and threatens to expose a financial crime that he had once participated in, unless he agrees to finance a fraudulent construction project that she's promoting. Lady Chiltern is astounded when her husband who had been the severest critic of this project suddenly begins to speak in its favor. Yet she has secrets of her own, which she desperately needs to hide. Behind the lives of this fashionable set who inhabit the higher echelons of political life in Engla...
Two short fragments: an unfinished and a lost play. A Florentine Tragedy, left in a taxi (not a handbag), is Wilde’s most successful attempt at tragedy – intense and domestic, with surprising depth of characterisation. It was adapted into an opera by the Austrian composer Alexander Zemlinsky in 1917. La Sainte Courtisane, or The Woman Covered in Jewels explores one of Wilde’s great idées fixes: the paradox of religious hedonism, pagan piety. Both plays, Wildean to their core, revel in the profound sadness that is the fruit of the conflict between fidelity and forbidden love. Written towards the end of his tragic life, these fragments give us a glimpse of a genius at his best: viscer...
An American diplomat's family moves into an ancient stately mansion. They're warned by the owner that it is haunted by a most horrifying and gruesome spirit who had once cruelly murdered his own wife. The story progresses with creaking floor boards, mysterious passages, dark attics, clanking chains, and weird howling. Yet, the reader is totally unprepared for Oscar Wilde's brand of tongue in cheek humor as he takes all the ingredients of a traditional ghost story and turns it on its head, and creates a hilarious parody instead of a morbid saga!
The Canterville Ghost was the first of Oscar Wilde's short stories to be published. It appeared in a magazine in 1887 and pro...
Als der berückend gutaussehende Jüngling Dorian Gray sein Porträt betrachtet, kommt ihm der Gedanke, wie herrlich es sein müsste, wenn das Bild an seiner Stelle altern könnte, während er selbst für immer jung und schön bliebe. Als sich dieser fantastische Wunsch zu erfüllen beginnt, genießt Dorian seine ewige Jugend in vollen Zügen – während in seiner Seele ein grauenvolles Werk der Zerstörung seinen Lauf nimmt.
(Zusammenfassung von Al-Kadi)
In 1895, Oscar Wilde was sentenced to 2 years of hard labor for acts of ‘gross indecency’. During his time at Reading Gaol, he witnessed a rare hanging, and in the three years between his release and his untimely death in 1900, was inspired to write the following poem, a meditation on the death penalty and the importance of forgiveness, even for (and especially for) something as heinous as murdering one’s spouse; for even the murderer, Wilde argues, is human and suffers more so for being the cause of his own pain, for ‘having killed the thing he loved’; for everyone is the cause of someone else’s suffering and suffers at the hands of another. It is this that Jesus Christ could see; he ...
In 1894, Oscar Wilde (1854-1900) published two short collections of aphorisms: “A Few Maxims For The Instruction Of The Over-Educated”, in the Saturday Review newspaper, and “Phrases and Philosophies for the Use of the Young”, in the Oxford student magazine The Chameleon. By turns witty, intellectual, counter-intuitive and obtuse, the collections came to be seen by many as emblematic of Wilde’s style, and countless collections of Wildean aphorisms have since been published.