Miss Saunders is out for an adventure. One, which is full of secrets, hints, and half-lies. One, which will require all of her wits. She is to be the companion to the Mayor's wife. The Lady is unhappy, and the reason for her grave unhappiness is more serious than you think.

A Tale of a Tub was the first major work written by Jonathan Swift, composed between 1694 and 1697, that was eventually published in 1704. It is arguably his most difficult satire, and perhaps his most masterly. The Tale is a prose parody which is divided into sections of "digression" and a "tale" of three brothers, each representing one of the main branches of western Christianity. A Tale was long regarded as a satire on religion itself, and has famously been attacked for that, starting with William Wotton. The "tale" presents a consistent satire of religious excess, while the digressions are a series of parodies of contemporary writing in literature, politics, theology, Biblical exegesi...

Les Chansons de Bilitis furent publiées en 1894 : il s'agit d'une collection de poèmes sulfureux et passionnés par une déesse fictive, Bilitis, inventée par le véritable auteur Pierre Louÿs, et dont la vie est retracée dans la préface. Elle aurait vécu sur l'île de Lesbos où elle aurait été rivale de Sappho, puis à Chypre.

Pierre Louÿs a poussé le jeu jusqu'à ponctuer ces poèmes érotiques de références pour perturber le lecteur (exemple: "non traduit"). (résumé par Nadine)

An unlikely pair were Neewa, the black bear cub who had been orphaned at a young age, and Miki, part Mackenzie hound, part Airedale and Spitz who had become separated from his master in the frozen reaches of northern Canada. But the two befriended one another, and these nomads fended for themselves until they too became separated in an unfortunate way. While Neewa searched for his friend, Miki was taken by northern trappers who felt he could be trained to become a good fighting dog, a valuable asset in the north. What follows is Miki's attempts to flee from his captors and search for his master, and Neewa's search for his canine friend.

We of the Never Never is the second book written by Jeannie Gunn under the name of “Mrs Aeneas Gunn”. It is considered by many as a classic of Australian writing. The book was published as a novel but draws on the author’s own experience in settling on the Elsey Station way out in the "back blocks" of the Katherine region of the Northern Territories of Australia early in the 20th century. The primary concession to fiction was that she fictionalised the names of many of the real-life characters that featured in her life at the time, giving them names like "the Sanguine Scott", "the Fizzer", "the Quiet Stockman" and "the Dandy". Shortly after their marriage, Jeannie Gunn (to be dubbed "the ...

A poor family is surprised with an infant on their doorstep on New Year’s Eve with a note and monetary support requesting them to raise the child. Eight years later, the child is stolen and the family is put into more trouble trying to find her. This is a story of how love and good morals are reward with a fairy tale “happily ever after” ending.

Howell’s novel is set in New York of the late nineteenth century, a city familiar to readers of Edith Wharton and Henry James. Basil March, a businessman from Boston of a literary bent, moves with his family to New York to edit a new journal founded by an acquaintance. Its financial support, however, comes from a Mr. Dryfoos, a Pennsylvania Dutch farmer suddenly become millionaire by the discovery of natural gas on his property, and now living in New York with his family in a style he hopes will befit his new wealth.

Is it his new fortune that presents a hazard? Or is it the new wealth of New York City in the Gilded Age? Both March and his literary creator are increasingly aware of s...

Susan Coolidge was the pen name of Sarah Chauncey Woolsey, who is best known for her What Katy Did series. This is the first of three volumes of her verse.

Flutist Aaron Sisson is caught up in the aftermath of WWI. A lost soul, he attempts to find himself in the comfort of bar-room talk and alcohol and a woman. Moving on, he spends time with a mining executive's relatives. But he finds the family a stuffy middle-class lot, bored with each other and themselves. He leaves his wife and children and strikes out for the open road. During a playing engagement at an opera performance, he reunites with the mining executive's family. Talk is of love and war, none of it very satisfying to anyone. At dinner with one of the women, Aaron reveals that he is indifferent to most things in life and just wants to be left alone. So it goes with this lost soul ...

Tales of Men and Ghosts was published as a collection in 1910, though the first eight of the stories had earlier appeared in Scribner's and the last two in the Century Magazine. Despite the title, the men outnumber the ghosts, since only "The Eyes" and "Afterward" actually call on the supernatural. In only two of the stories are women the central characters, though elsewhere they play important roles. Wharton enjoys subjecting her subjects -- all of them American gentlemen and gentlewomen, in the conventional senses of the word -- to various moral tests and sometimes ironic tests. Some of the stories deal with the intellectual fashions of the day -- "The Blond Beast" basing itself, to som...