An unidentified space ship lands in a Colorado lake. Equipped with a paralyzing ray weapon, the creatures begin taking human prisoners. A loan land surveyor and a journalist are trapped inside the Army cordon, which is helpless against the mysterious enemy. Can they stop the aliens before it is too late?
InThis is an essay providing an extended analysis of the works of Norwegian playwright Henrik Ibsen and of Ibsen's critical reception in England. Shaw uses this "exposition of Ibsenism" to illustrate the imperfections of British society, using the idea of an imaginary "community of a thousand persons," divided into three categories: Philistines, Idealists, and the lone Realist.
The main discussion revolves around Ibsen's recurring topic of the strong character holding out against social hypocrisy, while stating in his essay's final sentence that the quintessence of Ibsenism is that "there is no formula." ( Michele Eaton)
It is one of “several nineteenth-century novels [which] uncovers the changes in women’s work in the new industrial era, as well as the dilemmas, tensions, and the meaning of that work” The story depicts the struggles of a young woman trying to support herself. The main character, Christie Devon, works outside the home in a variety of different jobs, but the end of her story marks “the beginning of a new career as a voice and activist for other working women”.
Sequel to Four Girls at Chautauqua. Ruth, Flossy, Eurie, and Ruth return home as new Christians, eager to begin working. Their new faith clashes with their old lives, which they must overcome, as well as the prejudices of friends and acquaintances.