Tom Brown’s Schooldays is a novel by Thomas Hughes first published in 1857. The story is set at Rugby School, a public school for boys, in the 1830s. Hughes attended Rugby School from 1834 to 1842.
The novel was originally published as being “by an Old Boy of Rugby”, and much of it is based on the author’s experiences. Tom Brown is largely based on the author’s brother, George Hughes; and George Arthur, another of the book’s main characters, is based on Arthur Penrhyn Stanley. The fictional Tom’s life also resembles the author’s in that the culminating event of his school career was a cricket match.
Tom Brown was tremendously influential on the genre of British school novel...
“When a man weighs anchor in a little ship or a large one he does a jolly thing! He cuts himself off and he starts for freedom and for the chance of things. He pulls the jib a-weather, he leans to her slowly pulling round, he sees the wind getting into the mainsail, and he feels that she feels the helm. He has her on a slant of the wind, and he makes out between the harbour piers.” (quotation from Hilaire Belloc)
During the last two years, Fate, Chance, and Destiny had been too busy to attend to Mike Clinch. But now his turn was coming in the Eternal Sequence of things. The stars in their courses indicated the beginning of the undoing of Mike Clinch. In the North Woods, mayhem ensues as three parties vie for possession of the Flaming Jewel.
Become immersed in the chasing and slinking to determine who will possess this famed jewel. Better than typical adventure writing magnificently describe the 19th Century Northeastern US in this great novel.
Emily Dickinson has come to be regarded as one of the quintessential poets of 19th century America. A very private poet with a very quiet and reclusive life, her poetry was published posthumously and immediately found a wide audience.
While she echoed the romantic natural themes of her times, her style was much more free and irregular, causing many to criticize her and editors to “correct” her. In the early 20th century, when poetic style had become much looser, new audiences learned to appreciate her work. Here collected are many of her most contemplative, most rebellious, and “dark” works, expressing her frustrations with the behavioral confines of her times, and the confines of be...