History of Florence and of the Affairs of Italy is an historical account by Niccolò Machiavelli. Toward the end of 1520, the Cardinal Giulio of Medici, later Pope Clement VII, offered Machiavelli the appointment to write a history of Florence. Although Machiavelli was reluctant to accept, accepting was his only way to regain the good graces of the Medici who had regained power and were in a position to offer him employment and protection. Doing the history also provided a way for Machiavelli’s views to become the “official” history of Florentine and Italian affairs. Once completed, the work was presented officially to Giulio, now Pope, in May of 1526.
This essay of Kant’s on copyright argues that the unlicensed copying of books cannot possibly be permissible, due to the fact that it assumes a consent on the part of the author which it is logically impossible for the author to give. The argument is dependent upon an assumption that the writings be commodified, for the reason why the author is unable to possibly give consent to multiple publishers is due to the author’s will – to communicate with the public – necessitating the profitability of the publisher, for, it is assumed, there is no way to communicate with the public at large without a great expense which can only be borne by a publishing firm. This is, of course, no longer a n...
This tripartite essay, published variously as On the Popular Judgment (J. Richardson trans.), On the Old Saw (E.B. Ashton trans.), or On the Common Saying (both M.J. Gregor and H.B. Nisbet), Kant takes up the issue of the relation of theory to practice in three distinct ways. In the first, he replies to Christian Garve’s criticism of his moral theory, in the second, he distances himself from Thomas Hobbes, and in the third, Moses Mendelssohn. The three taken together are representative of the breadth of Kant’s moral and political thought; the first section being concerned with the individual, the second with the state, and the third with the species. Although this ...
The philosopher Friedrich Nietzsche’s autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone worthy of the wonderful creations of that year, but also a fitting conclusion to his whole life, in the form of a grand summing up of his character as a man, his purpose as a reformer, and his achievement as...