Dramatic Works audiobooks page 5

Generally considered one of Shakespeare's problem plays, Measure for Measure examines the ideas of sin and justice. Duke Vincentio turns Vienna's rule over to the corrupt Angelo, who sentences Claudio to death for having impregnated a woman before marriage. His sister Isabella, a novice nun, pleads for her brother's life, only to be told that he will be spared if she agrees to relinquish her virginity to Angelo.

William Shakespeare's The Merchant of Venice was probably written between 1596 and 1598, and was printed with the comedies in the First Folio of 1623. Bassanio, an impoverished gentleman, uses the credit of his friend, the merchant Antonio, to borrow money from a wealthy Jew, Shylock. Antonio pledges to pay Shylock a pound of flesh if he defaults on the loan, which Bassanio will use to woo a rich heiress, Portia. A subplot concerns the elopement of Shylock's daughter Jessica with a Christian, Bassanio's friend Lorenzo. In its focus on love and marriage, the play shares certain concerns with Shakespeare's other comedies. Yet its depiction of the tensions between Jews and Christ...

Written around the middle of his career, Much Ado About Nothing is one of Shakespeare's great festive comedies. The men are back from the war, and everyone is ready for romance. The dashing young Claudio falls for Hero, the daughter of Leonato, governor of Messina, and his friend Don Pedro helps him secure her affection. These youthful lovers are contrasted with the more experienced (and more cynical) Benedick and Beatrice, who have to be tricked into falling in love. Don Pedro's bastard brother, Don John, provides the intrigue, and the dimwitted constable Dogberry provides the laughs.

Young Laroon plans to marry Isabel, but Father Martin manipulates Isabel's father, Jourdain, in order to seduce Isabel. However, other characters, including both of the Laroons, try to manipulate Jourdain for their own ends; they accomplish it through disguising themselves as priests and using his guilt to convince him of what they say. As Father Martin pursues Isabel, she is clever enough to realize what is happening and plans her own trap. After catching him and exposing his lust, Father Martin is set to be punished.

Mr H is a farce that was first performed at Drury Lane in 1806. The plot is slender and revolves around a single rather feeble joke, but the characters are skilfully drawn and the sharp observations of contemporary fashion do much to divert the listener from the weakness of the central theme. More a comedy of manners rather than a true farce, this short play is best enjoyed as a gentle romp through the eccentricities of the Regency period.

A Woman of No Importance is a play by Irish playwright Oscar Wilde. The play premièred on 19 April 1893 at London's Haymarket Theatre. It is a testimony of Wilde's wit and his brand of dark comedy. It looks in particular at English upper class society and has been reproduced on stages in Europe and North America since his death in 1900.

Why Marry? is a comedy, which "tells the truth about marriage". We find a family in the throes of proving the morality of marriage to a New Age Woman. Can the family defend marriage to this self-supporting girl? Will she be convinced that marriage is the ultimate sacredness of a relationship or will she hold to her perception that marriage is the basis of separating two lovers.

"Why Marry?" won the first Pulitzer Prize for Drama.

The Taming of the Shrew is one of Shakespeare's earliest comedies, and was inspired by classical Roman comedy and the Italian commedia dell'arte. Baptista Minola, a rich gentleman of Padua, has two daughters: Katherina, renowned for her sharp tongue, and Bianca, who is sought after by multiple suitors. Baptista decides that Bianca cannot marry until her elder sister finds a husband. Enter Petruchio, who has come to "wive it wealthily in Padua," and who is convinced by Bianca's suitors to woo Katherina. The play ultimately poses the question of who is the bigger shrew: Kate or Petruchio. The subplot involves the subterfuge employed by Lucentio to woo the lovely Bianca.

John Fletcher's comedy (probably written and performed around 1611) is a sequel to Shakespeare's The Taming of the Shrew, in which, as the title suggests, the tamer will be tamed. Petruchio, the shrew-tamer, has been widowed, and marries a second wife, Maria, a "chaste witty lady." At the instigation of her cousin Bianca, and with the fellowship of her sister Livia, Maria decides to go on strike for equal rights, refusing to behave as a proper 17th century wife. Fletcher's play addresses the issue of men and women's roles within marriage, a controversial issue for his day.

Troilus and Cressida is Shakespeare's "problem" play about the Trojan War. As the opening Chorus tells us, the play "begins in the middle" of the epic conflict, and counterpoints the drama of battle with the romance of the title characters. Just as Agamemnon and his Greek forces (particularly the smooth-tongued Ulysses) attempt to woo the invincible Achilles to resume fighting on their side, the Trojan go-between Pandarus tries to bring together Troilus, a son of King Priam, with his niece, the lovely Cressida.