The premise of the book is that everyone who has ever died (up until the time in which the book is set, which seems to be about the time of its publication) has gone to Styx. This does not appear to be the conventional Hell described by Dante in The Inferno, but rather the Hades described in Greek myth (both of which had Styxes): a universal collecting pot for dead souls, regardless of their deeds in life.
The book begins with Charon, ferryman of the Styx (in The Inferno, he was the ferryman of the river Acheron) being startled—and annoyed—by the arrival of a house boat on the Styx. At first afraid that the boat will put him out of business, he later finds out that he is actually...
A brief record of the fighting on the Eastern front in the great war by a participant in that great and terrible conflict
In this work, Kropotkin points out what he considers to be the fallacies of the economic systems of feudalism and capitalism, and how he believes they create poverty and scarcity while promoting privilege. He goes on to propose a more decentralised economic system based on mutual aid and voluntary cooperation, asserting that the tendencies for this kind of organisation already exist, both in evolution and in human society.
On a journey to Tuscany with her young friend and traveling companion Caroline Abbott, widowed Lilia Herriton falls in love with both Italy and a handsome Italian much younger than herself, and decides to stay. Furious, her dead husband’s family send Lilia’s brother-in-law to Italy to prevent a misalliance, but he arrives too late. Lilia marries the Italian and in due course becomes pregnant again. When she dies giving birth to her child, the Herritons consider it both their right and their duty to travel to Monteriano to obtain custody of the infant so that he can be raised as an Englishman.
Dyke Darrel investigates an audacious train robbery that included the murder of a friend, and embarks on a man-hunt. High Victorian serial melodrama at its best!