InThis is an essay providing an extended analysis of the works of Norwegian playwright Henrik Ibsen and of Ibsen's critical reception in England. Shaw uses this "exposition of Ibsenism" to illustrate the imperfections of British society, using the idea of an imaginary "community of a thousand persons," divided into three categories: Philistines, Idealists, and the lone Realist.
The main discussion revolves around Ibsen's recurring topic of the strong character holding out against social hypocrisy, while stating in his essay's final sentence that the quintessence of Ibsenism is that "there is no formula." ( Michele Eaton)
It is one of “several nineteenth-century novels [which] uncovers the changes in women’s work in the new industrial era, as well as the dilemmas, tensions, and the meaning of that work” The story depicts the struggles of a young woman trying to support herself. The main character, Christie Devon, works outside the home in a variety of different jobs, but the end of her story marks “the beginning of a new career as a voice and activist for other working women”.
Thornton Chase (1847 – 1912) is commonly recognized as the first convert to the Bahá’í Faith of Occidental background. During his life he organized many Bahá’í activities in Chicago and Los Angeles and was considered a prominent Bahá’í. In 1894, Chase met Ibrahim Kheiralla, a Bahá’í from Beirut who had recently come to the United States. Chase and a small group of Chicagoans began to study the Bahá’í Faith with him. By 1895 he had completed the class and become a Bahá’í. In 1907 Chase was able to go on pilgrimage. Though Chase was able to be with ‘Abdu’l-Bahá in Akka for only three days, the experience transformed him. ‘Abdu’l-Bahá, highly impressed by Chase’s qualities, conferred on h...