Literature audiobooks page 104

The Man Who Lost Himself

Best known for his literary work The Blue Lagoon, which has been made into film several times over, H. De Vere Stacpoole’s first publication was a book titled The Intended in 1894. Stacpoole was disappointed at its lack of commercial success, and felt the story was too good to let go. He eventually re-worked the book, culminating in The Man Who Lost Himself, a light-hearted story of a luckless American visiting London on yet another of his failed business ventures, when he happens upon a gentleman of status and wealth, who also just happens to be his exact look-alike.

Jacob's Room
The novel centers, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob [except for those times when we do indeed get Jacob's perspective]. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel.
Volpone, or, The Fox
Volpone is a comedy by Ben Jonson first produced in 1606, drawing on elements of city comedy and beast fable. A merciless satire of greed and lust, it remains Jonson's most-performed play, and it is among the finest Jacobean Era comedies. Volpone is a Venetian gentleman who pretends to be on his deathbed, after a long illness, in order to dupe Voltore, Corbaccio, and Corvino, three men who aspire to inherit his fortune. In their turns, each man arrives to Volpone’s house bearing a luxurious gift, intent upon having his name inscribed to the will of Volpone, as his heir. Mosca, Volpone’s parasite servant, encourages each man, Voltore, Corbaccio, and Corvino, to believe that he has been nam...
Modern Scottish Minstrel
Subtitled "Songs of Scotland of the Past Half-Century, with Memoirs of the Poets, and Sketches and Specimens in English Verse of the Most Celebrated Modern Gaelic Bards."

Quatrains of Omar Khayyám in English Prose
Justin Huntly McCarthy (1859 - 1936) was an Irish scholar, author and nationalist politician. In 1889 his prose translations of 466 quatrains of the Rubáiyát of Omar Khayyám was published by David Nutt. An abbreviated edition, containing a shorter introduction and translations of 373 quatrains, was published by David Nutt in 1898, and this has been used for the present recording.
Initials Only

Anna Katharine Green (November 11, 1846 – April 11, 1935) was an American poet and novelist. She was one of the first writers of detective fiction in America and distinguished herself by writing well plotted, legally accurate stories (no doubt assisted by her lawyer father). (Wikipedia)

In the Cage
In the Cage is a novella by Henry James, first published as a book in 1898. This long story centers on an unnamed London telegraphist. She deciphers clues to her clients' personal lives from the often cryptic telegrams they submit to her as she sits in the "cage" at the post office. Sensitive and intelligent, the telegraphist eventually finds out more than she may want to know.
Monday or Tuesday
Adeline Virginia Woolf was an English author, essayist, publisher, and writer of short stories, regarded as one of the foremost modernist literary figures of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a member of the Bloomsbury Group. Her most famous works include the novels Mrs. Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction."

The slim book Monday or Tuesday offers an excursion into Virginia Woolf's early ex...
Ward No. 6
The line between sanity and insanity is blurred in this classic novella by Anton Chekhov. The disillusioned idealist Dr. Rabin is in charge of a provincial lunatic asylum, overseeing with weary, dubious policies a motley group of patients, a group that mirrors in microcosm all of human and especially Russian society. Seeking answers to profound questions, Dr. Rabin enters into dialogues with both staff members and patients, trying to make sense out of what has become of his life, until it becomes less and less clear who is the doctor and who is the patient. Written with obvious reformist concerns about the dehumanization of "lunatics," the story is also a harrowing parable about the me...
An International Episode

Two men visting the US from London meet a pair of charming women who return the visit the following year in London. Romantic intrigues, miscommunication and cultural faux pas abound in this short but delightful novel.