A comic operetta which is a satire on the themes of fashion and pretension and hero-worship. Bunthorne is a poet who pretends to be highly "idealised" in order to impress the ladies. They all worship him, except for Patience, the dairy maid, who is the only one he loves. However, his grand plan goes awry with the arrival of Grosvenor who is more idealised and more poetical then he is. The ladies all flock after Grosvenor instead, until Bunthorne curses him with poor fashion sense and stoutness! But will the curse bring Bunthorne his Patience?

The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings. Gilbert wrote the Ballads before he became famous for his comic opera librettos with Arthur Sullivan. In writing the Bab Ballads, Gilbert developed his unique “topsy-turvy” style, where the humour was derived by setting up a ridiculous premise and working out its logical consequences, however absurd. The Ballads also reveal Gilbert’s cynical and satirical approach to humour. They became famous on their own, as well as being a source for plot elements, characters and songs that Gilbert would recycle in the Gilbert and Sullivan operas. The Bab Ballads take their name from Gil...

This is a subset of the first twelve poems from the second collection of Gilbert’s “Bab Ballads” – light verses poking fun at the life and people of his time in Gilbert’s unique “topsy-turvey” style. The epitaph on his memorial on the Victoria Embankment in London is “HIS FOE WAS FOLLY AND HIS WEAPON WIT”, an epitaph amply exemplified in these verses.

H.M.S. Pinafore; or, The Lass That Loved a Sailor, is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened in London, England, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation. This is not that opera.

It was adapted as a children's book by W. S. Gilbert entitled The Story of HMS Pinafore, or The Pinafore Picture Book, and includes some lovely illustrations by Alice B. Woodward that can be seen by following the archive.org link to the actual scanned bo...

The Mikado is the ninth of the 14 Gilbert and Sullivan musical collaborations. It opened in 1885, had the second longest run for any work of musical theatre of the time, and remains the most frequently performed Gilbert and Sullivan. It was adapted as a children's book by W. S. Gilbert entitled The Story of The Mikado, which was Gilbert's last literary work (and published posthumously). It is a retelling of The Mikado, with various changes to simplify language or make it more suitable for children.

This is that children's book. No singing or any of Sullivan's music, just Gilbert's witty words laid out - by him - in prose and poetry with amusing asides.

The Forward mentions s...

Sweethearts is a comic play billed as a "dramatic contrast" in two acts by W. S. Gilbert. The play tells a sentimental and ironic story of the differing recollections of a man and a woman about their last meeting together before being separated and reunited after 30 years.

In this recording, one person reads the entire play, all parts, including the stage directions. Even without the support of Arthur Sullivan’s music and the interpretation of actors, the consummate silliness of Gilbert’s libretto entertains. The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. The story concerns Frederic, who, having completed his 21st year, is released from his apprenticeship to a band of tender-hearted pirates. He meets Mabel, the daughter of Major-General Stanley, and the two young people fall instantly in love. Frederic finds out, however, that he was born on 29 February, and so, tec...