“Thou hast the keys of Paradise, O just, subtle, and mighty Opium!”

Though apparently presenting the reader with a collage of poignant memories, temporal digressions and random anecdotes, the Confessions is a work of immense sophistication and certainly one of the most impressive and influential of all autobiographies. The work is of great appeal to the contemporary reader, displaying a nervous (postmodern?) self-awareness, a spiralling obsession with the enigmas of its own composition and significance. De Quincey may be said to scrutinise his life, somewhat feverishly, in an effort to fix his own identity.

The title seems to promise a graphic exposure of horrors; these pas...

The Hunter Thompson of the 19th Century, de Quincey is best known for his Confessions of an English Opium Eater (an activity shared with his hero, Samuel Coleridge, much to Wordsworth’s dismay). However, de Quincey’s literary genius is best captured in his essays, and, according to Wikipedia: His immediate influence extended to Edgar Allan Poe, Fitz Hugh Ludlow and Charles Baudelaire, but even major 20th century writers such as Jorge Luis Borges admired and claimed to be partly influenced by his work.