"When the bad bleeds, then is the tragedy good." The Revenger's Tragedy is a bloody Jacobean drama centering on Vindici, whose beloved has been murdered by the Duke. Aided by his brother Hippolito, Vindici plans to take revenge not only on the Duke, but on his lecherous Duchess (who is having an affair with her stepson, Spurio) and his sons Lussurioso (Lust), Ambitioso (Ambition), and Supervacuo (Excess). The play was published anonymously in 1606 and for several centuries was attributed to Cyril Tourneur; more recent scholarship has pointed to Thomas Middleton as the likely author. The play was part of the vogue for revenge tragedy in late 16th and early 17th century England, and has oft...

A Yorkshire Tragedy: Not So New as Lamentable and True (1619) tells the gruesome tale of Walter Calverly who stabbed his wife and killed his two young sons in April 1605. This recording is based on the text of the second quarto, which was attributed to William Shakespeare on its title page.

This transcription is based on the 1619 quarto at the Boston Public Library. Students completed the transcription in the fall of 2013 for English 422 (Seminar on

The Roaring Girl is a rip-roaring Jacobean comedy co-written by Thomas Middleton and Thomas Dekker and first published in 1611. The play is a fictionalized dramatization of the life of Mary Frith, known as "Moll Cutpurse", a woman who had gained a reputation as a virago in the early 17th century. (The term "roaring girl" was adapted from the slang term "roaring boy", which was applied to a young man who caroused publicly, brawled, and committed petty crimes.) The play combines the exploits of the cross-dressed Moll with the amorous adventures of a trio of merchants' wives, and the forbidden romance between Sebastian Wengrave and Mary Fitzallard.

Thomas Middleton's masterful 17th century tragedy is packed with adultery, incest, intrigue, revenge, and inventive methods for murder. Leantio elopes with Bianca against her family's wishes and tries to hide her in the house he shares with his widowed mother. Yet the Duke sees Bianca at the window and is powerfully attracted to her, threatening Leantio's security. Livia, a wealthy widow, delights in intrigue, aiding the Duke to satisfy his desires with Bianca, and bringing together her brother Hippolito with her niece Isabella, despite their familial relationship. Yet even Livia is not immune to love. The final play-within-a-play in Act 5, one of the goriest and most sensational conclusi...