If you've watched and loved the delightful musical My Fair Lady, then you'd love to read the wonderful play on which it is based. Pygmalion by George Bernard Shaw is equally engrossing and as full of charm, wit and underlying pathos.

First performed on stage in 1912, Pygmalion takes its title from the Greek myth of Pygmalion and Galatea. In the ancient story, a brilliant sculptor, Pygmalion falls in love with one of his own creations, a ravishingly beautiful sculpture whom he names Galatea. He propitiates Aphrodite, who grants his wish that his statue would come to life and that he could marry her. His wish is granted and the couple live happily ever afte...

Arms and the Man is a comedy by George Bernard Shaw that takes place in 1885, during the Serbo-Bulgarian War. Raina Petkoff is engaged to the gallant Sergius Saranoff, hero of the recent Bulgarian victory over the Serbs. But she is distracted by the abrupt arrival of Captain Bluntschli, a Swiss mercenary who fought for the Serbian army. He takes refuge in her bedroom after the battle and although he is initially threatening, reveals that he carries chocolates instead of bullets. Will Raina marry the posturing Sergius or the chocolate cream soldier? Extra intrigue is provided by saucy servant girl Louka, her dour fiance Nicola, and Raina's hand-wringing parents.

The Doctor's Dilemma is about Dr. Colenso Ridgeon, who has recently been knighted because of a miraculous new treatment he developed for tuberculosis. As his friends arrive to congratulate him on his success, he is visited by two figures who present him with a difficult decision. He has room for one more patient in his clinic; should he give it to Louis Dubedat, a brilliant but absolutely immoral artist, or Dr. Blenkinsop, a poor and rather ordinary physician who is a truly good person? Dr. Ridgeon's dilemma is heightened when he falls for Jennifer Dubedat, the artist's wife, who is innocent of her husband's profligacy.

Love Among the Artists was published in the United States in 1900 and in England in 1914, but it was written in 1881. In the ambience of chit-chat and frivolity among members of Victorian polite society a youthful Shaw describes his views on the arts, romantic love and the practicalities of matrimony. Dilettantes, he thinks, can love and settle down to marriage, but artists with real genius are too consumed by their work to fit that pattern. The dominant figure in the novel is Owen Jack, a musical genius, somewhat mad and quite bereft of social graces. From an abysmal beginning he rises to great fame and is lionized by socialites despite his unremitting crudity. As a study of Bohemia and...

George Bernard Shaw, a playwright with a few bones to pick of his own, undertakes a surgical analysis of the social philosophies underlying the work of Henrik Ibsen. Focusing his analysis on Ibsen's challenge to the conventional "ideals" which both Ibsen and Shaw consider the greatest evils in human society, Shaw summarizes and exposits sixteen of Ibsen's plays, seizing the opportunity to elucidate some of the principles dearest to himself. Some of the most striking passages reveal Shaw's radical feminist perspectives, some of which resonate as if a half-century ahead of their time. A fascinating revelation of the minds of two great and revolutionary writers (it's not always obvious wh...

Misalliance, a 1910 play by George Bernard Shaw, is an ironic examination of the romantic entanglements of a varied group of people gathered at a wealthy man's country home on a summer weekend. Most of the romantic interest centers on the host's daughter, Hypatia Tarleton, a typical Shaw heroine who exemplifies his lifelong theory that in courtship, women are the relentless pursuers and men the apprehensively pursued. Hypatia is the daughter of newly-wealthy John Tarleton who made his fortune in the unglamorous but lucrative underwear business. She is fed up with the stuffy conventions that surround her and with the hyperactive talk of the men in her life. Hypatia is engaged to Bentley Su...

This is one of three plays Shaw published as Plays Unpleasant in 1898; they were termed "unpleasant" because they were intended, not to entertain their audiences—as traditional Victorian theatre was expected to—but to raise awareness of social problems and to censure exploitation of the laboring class by the unproductive rich. In this play, Dr. Harry Trench becomes disillusioned when he discovers how his fiancee's father, Mr. Sartorius, makes his money. However, it is soon revealed that Trench's own income is far from untainted.

The Admirable Bashville is a product of the British law of copyright. As that law stands at present, the first person who patches up a stage version of a novel, however worthless and absurd that version may be, and has it read by himself and a few confederates to another confederate who has paid for admission in a hall licensed for theatrical performances, secures the stage rights of that novel, even as against the author himself; and the author must buy him out before he can touch his own work for the purposes of the stage...As a good Socialist I do not at all object to the limitation of my right of property in my own works to a comparatively brief period, followed by complete Communism:...

The story centers on the relationship between Mrs Kitty Warren, a rich woman, described by the author as "on the whole, a genial and fairly presentable old blackguard of a woman" and her daughter, Vivie. Mrs Warren is a middle-aged woman whose Cambridge-educated daughter, Vivie, is horrified to discover the morally questionable way her mother acquired her fortune.

Candida, a comedy by playwright George Bernard Shaw, was first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida and a youthful poet, Eugene Marchbanks, who tries to win Candida's affections. The play questions Victorian notions of love and marriage, asking what a woman really desires from her husband. The cleric is a Fabian Socialist, allowing Shaw—himself a Fabian—to weave political issues, current at the time, into the story.