Arthur Schopenhauer, an early 19th century philosopher, made significant contributions to metaphysics, ethics, and aesthetics. His work also informed theories of evolution and psychology, largely through his theory of the will to power – a concept which Nietzsche famously adopted and developed. Despite this, he is today, as he was during his life, overshadowed by his contemporary, Hegel. Schopenhauer’s social/psychological views, put forth in this work and in others, are directly derived from his metaphysics, which was strongly influenced by Eastern thought. His pessimism forms an interesting and perhaps questionable contrast with his obvious joy in self-expression, both in the eleganc...

The Art of Controversy (or The Art of Being Right) (Die Kunst, Recht zu Behalten) is a short treatise written in 1831 by the German philosopher Arthur Schopenhauer in which he presents thirty-eight methods of gaining an unfair advantage in a debate and thereby being right even if you are wrong. Schopenhauer champions the virtue of dialectical argument, in his view wrongly neglected by philosophers in favour of logic, and goes on to discuss the distinction between our conscious intellectual powers and our will. The text is a favourite of debaters including the philosophers AC Grayling and Mary Warnock, and the Mayor of London Boris Johnson.

In diesem vielzitierten Essay aus dem Jahre 1851 ist Schopenhauers generell herablassende Einstellung zu Frauen zusammengefaßt. Frauen, laut Schopenhauer, sind Wesen zweiter Klasse mit weniger Vernunft als Maenner, und sind biologisch zu List und Intrige getrieben… Schopenhauers dominante Mutter Johanna, eine bekannte Schriftstellerin, wird oft als Ursache für die Frauenfeindlichkeit ihres Sohns genannt.
(Zusammenfassung von Gesine)

In this work, Schopenhauer explains his fundamental idea that at the root of the reality we see around us is a Will that eternally, insatiably seeks to be satisfied. Each human Subject observes the Objects around her from the perspective of that fundamental Will working within each person. The human observer is distracted by the details of life and individual distinctions that obscure this Will; only by penetrating this “principium individuationis” (which is enslaved by the cause-and-effect tyranny of the Principle of Sufficient Reason) can the observer perceive the essential Thing-In-Itself. Art has the power to make us see the Thing-In-Itself, the Platonic Idea freed from the individual...

Schopenhauer used the word "will" as a human's most familiar designation for the concept that can also be signified by other words such as "desire," "striving," "wanting," "effort," and "urging." Schopenhauer's philosophy holds that all nature, including man, is the expression of an insatiable will to life. It is through the will that mankind finds all their suffering. Desire for more is what causes this suffering. He used the word representation (Vorstellung) to signify the mental idea or image of any object that is experienced as being external to the mind. It is sometimes translated as idea or presentation. This concept includes the representation of the observing subject's own body. S...

In this work, Schopenhauer explains his fundamental idea that at the root of the reality we see around us is a Will that eternally, insatiably seeks to be satisfied. Each human Subject observes the Objects around her from the perspective of that fundamental Will working within each person. The human observer is distracted by the details of life and individual distinctions that obscure this Will; only by penetrating this “principium individuationis” (which is enslaved by the cause-and-effect tyranny of the Principle of Sufficient Reason) can the observer perceive the essential Thing-In-Itself. Art has the power to make us see the Thing-In-Itself, the Platonic Idea freed from the individual...