Two men visting the US from London meet a pair of charming women who return the visit the following year in London. Romantic intrigues, miscommunication and cultural faux pas abound in this short but delightful novel.

“The Jolly Corner,” published in 1908, is considered by many to be a ghost story ranking second only to “The Turn of the Screw.” James’s protagonist, Spencer Brydon, is an American of 56, returned to New York after 33 years in Europe, where he has apparently accomplished little while living off his New York rentals. His friendship with Alice Staverton, and his engagement in the development of a property awaken him to the possibilities that might have been his, had he chosen a different course of life. The “ghost,” if that’s what it is, is that other self that might have been, and his confrontation with that self and its possibilities leads to a deeply unsettling, yet ambiguous, conc...

Pemberton, a young American with an Oxford education and out of money, takes a job tutoring Morgan Moreen, the 12-year old son of an American couple living in Europe in a style not quite matched by their income. Morgan, who is highly intelligent, is also precocious and perceptive enough to understand his parents' pretentious aimlessness. Nor, as it happens, do his parents pay Pemberton the salary to which they'd agreed -- shouldn't he be satisfied, after all, by his life with them, and by the joy of tutoring young Morgan? Alternately charmed and put off by the Moreen family, Pemberton is left to choose between his attachment to his young pupil and his need to get on in life.

The Real Thing is, on one level, a somewhat ironic tale of an artist and two rather particular models. Yet it also raises questions about the relationship between the notion of reality in our humdrum world, and the means that an artist must use in trying to achieve, or reflect, that reality. Though the protagonist is an artist and illustrator of books, not a writer, it's not hard to imagine that James has himself, and other writers, in mind.

Published in 1901, The Sacred Fount delves into the interior observations and obsessions of one Englishman during a weekend gathering in the country. Regarding himself as a master of human psychology, the narrator watches the goings-on of the other guests and weaves theories about the interpersonal implications of what he witnesses, leaving the not infrequently perplexed reader the task of sorting out whether his conclusions are facts or fancies. (Introduction by S. Kovalchik)

“Levity” is not a word often applied to Henry James, but this story has about it an attractively lighthearted quality. It tells of Peter Baron, a poor, young struggling writer of adequate, if not transcendent, talent, who lives in a dreary London boarding house inhabited also by a mysteriously clairvoyant and beautiful young widow, with her small boy. When Baron buys himself a second-hand writing desk to stimulate the creative juices, he finds carefully hidden within it a cache of letters that appear to compromise a recently deceased statesman. The discovery and his struggle to handle the questions they pose ultimately change his life. Along the way he also discovers, as a fringe benef...

A Small Boy and Others is a book of autobiography by Henry James published in 1913. The book covers James’s earliest years and discusses his intellectually active family, his intermittent schooling, and his first trips to Europe.

The recently widowed Adela Gereth, a lover of beauty and passionate collector of fine objects, strikes up a friendship with the young Fleda Vetch, when both of them find themselves guests in the tasteless house of the Brigstock family. Mrs. Gereth fears that her son Owen, an honorable but somewhat unimaginative young man, may take up with one of the Brigstock girls, and indeed he presently announces his engagement to Mona, the eldest daughter. That means that Mrs. Gereth will have to leave Poynton, the beautiful house that she and her husband filled with the furniture, china, tapestries, and other objects that they lovingly collected over the years. It is not so much possessiveness that d...

When Beale and Ida Farange are divorced, the court decrees that their only child, the very young Maisie, will shuttle back and forth between them, spending six months of the year with each. The parents are immoral and frivolous, and they use Maisie to intensify their hatred of each other.

The Wings of the Dove, published in 1902, represents to my memory a very old–if I shouldn’t perhaps rather say a very young–motive; I can scarce remember the time when the situation on which this long-drawn fiction mainly rests was not vividly present to me. The idea, reduced to its essence, is that of a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world; aware moreover of the condemnation and passionately desiring to “put in” before extinction as many of the finer vibrations as possible, and so achieve, however briefly and brokenly, the sense of having lived.