Don Juan in Hell is an excerpt (Act 3, Scene 2) from George Bernard Shaw’s Man and Superman. It is often performed as a stand-alone play. In it, three characters from Mozart’s Don Giovanni (Don Juan, Dona Ana, and the statue of the Commendatore, Dona Ana’s father) meet in Hell and, joined by the Devil, have a philosophical debate on a variety of subjects, including Heaven and Hell, men, women and marriage. In the end, they all decide where they will spend eternity.

George Bernard Shaw's Major Barbara focuses on the family of aristocratic Lady Britomart Undershaft and her estranged husband Andrew, a millionaire armaments manufacturer. Their daughters Sarah and Barbara are both engaged to be married, and Lady Britomart decides to ask Andrew for monetary support. Barbara is a Major in the Salvation Army, and agrees to let her father visit the mission in the East End of London where she works. In exchange, she agrees to visit his munitions factory. The conflict between Barbara's philanthropic idealism and her father's hard-headed capitalism clash when he decides he wants to fund the Salvation Army. Shaw's comedy, as always, delves into political and soc...

The Perfect Wagnerite: A Commentary on the Niblung's Ring (originally published London, 1898) is a philosophical commentary on Richard Wagner's Der Ring des Nibelungen, by the Irish writer George Bernard Shaw. Shaw offered it to those enthusiastic admirers of Wagner who "were unable to follow his ideas, and do not in the least understand the dilemma of Wotan." He interprets the Ring in Marxian terms as an allegory of the collapse of capitalism from its internal contradictions. Musicologically, his interpretation is noteworthy for its perception of the change in aesthetic direction beginning with the final scene of Siegfried, in which he claimed that the cycle turns from Musikdrama back to...

InThis is an essay providing an extended analysis of the works of Norwegian playwright Henrik Ibsen and of Ibsen's critical reception in England. Shaw uses this "exposition of Ibsenism" to illustrate the imperfections of British society, using the idea of an imaginary "community of a thousand persons," divided into three categories: Philistines, Idealists, and the lone Realist.

The main discussion revolves around Ibsen's recurring topic of the strong character holding out against social hypocrisy, while stating in his essay's final sentence that the quintessence of Ibsenism is that "there is no formula." ( Michele Eaton)

On the eve of World War I, Ellie Dunn, her father, and her fiancé are invited to one of Hesione Hushabye’s infamous dinner parties. Unfortunately, her fiancé is a scoundrel, her father’s a bumbling prig, and she’s actually in love with Hector, Hesione’s husband. This bold mix of farce and tragedy lampoons British society as it blithely sinks towards disaster.