When published in 1907, this novel about the lives of a wealthy mill owner, her socially progressive husband and friends caused a stir due to its treatment of drug abuse, mercy killing, divorce and second marriages.

American writer Edith Wharton is known for her novels of manners set in old New York; yet much of her adult life was spent in France. She lived in Paris throughout World War I and was heavily involved in refugee work. Her 1918 novella The Marne dramatizes the events of the war as seen through the eyes of 15-year-old Troy Belknap, an American boy who longs to join up and save his beloved France.

"The Glimpses of the Moon" (1922) is about Nick and Susy Lansing, both of whom live a decadent life in Europe by sponging off wealthy friends. They marry out of convenience and have an "open" relationship, but are unprepared for where their feelings will take them.

Wharton's 1917 novella Summer, like her more famous work Ethan Frome, is set in a very small rural New England town. Charity Royall longs to escape the claustrophobic confines of North Dormer and the inappropriate advances of her guardian Mr. Royall, who adopted her as a child from the nearby Mountain community. Hope arrives in the form of city boy Lucius Harney, who has come to research the architecture of the region; but will his presence in Charity's life mean her salvation - or her undoing? (Introduction by Elizabeth Klett)

The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounced Victorian-style interior decoration and interior design, especially those rooms that were decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argued that such rooms emphasized upholstery at the expense of proper space planning and architectural design and were, therefore, uncomfortable and rarely used. Wharton and Codman advocated the creation of houses with rooms decorated with strong architectural wall and ceiling treatments, accentuated by well-suited furniture, rooms based on ...

This is Edith Wharton's earliest published collection of short stories (1899). Like much of her later work, they touch on themes of marriage, male/female relationships, New York society, and the nature and purpose of art. One of the stories, "The Twilight of the God," is written as a short play. The role of Warland is read by mb, and the role of Oberville by Bruce Pirie.

Kate Orme, shocked by the discovery of her fiance's complicity in a tragedy, and by society's willingness to overlook such transgressions, nevertheless marries him. Years later, her son faces a moral crisis similar to the one that showed her his father's moral weakness. (Introduction by Christine Dufour)

Stephen Glennard's career is falling apart and he desperately needs money so that he may marry his beautiful fiancee. He happens upon an advertisement in a London magazine promising the prospect of financial gain. Glennard was once pursued by Margaret Aubyn, a famous and recently deceased author, and he still has her passionate love letters to him. Glennard removes his name from the letters and sells them, making him a fortune and building a marriage based on the betrayal of another.

This collection of ten stories, first published in 1904, shows Edith Wharton dissecting some of the customs, habits and vagaries of courtship and marriage, particularly as practiced in the upper reaches of New York society at the turn of the twentieth century (two stories, however, are set in Italy). Fidelity is only one problem; others may arise from the machinations and emotions of the protagonists or outsiders. Wharton handles the questions with her usual gentle (and sometimes not so gentle) irony and curiosity about human behavior.

Tales of Men and Ghosts was published as a collection in 1910, though the first eight of the stories had earlier appeared in Scribner's and the last two in the Century Magazine. Despite the title, the men outnumber the ghosts, since only "The Eyes" and "Afterward" actually call on the supernatural. In only two of the stories are women the central characters, though elsewhere they play important roles. Wharton enjoys subjecting her subjects -- all of them American gentlemen and gentlewomen, in the conventional senses of the word -- to various moral tests and sometimes ironic tests. Some of the stories deal with the intellectual fashions of the day -- "The Blond Beast" basing itself, to som...