Senhora é um dos mais importantes clássicos da literatura brasileira, e o terceiro livro do mesmo autor que analisa a situação da mulher na sociedade brasileira do século XIX. Através da história de amor e separação entre Aurélia e Fernando, o autor critica a decadência da elite cortesã, a importância dada ao dinheiro e os casamentos por interesse. O romance, dividido em quatro partes, reflete este objetivo em sua própria estrutura, em que imita uma transação comercial: preço, quitação, posse, resgate.
“Senhora” is one of the most important classics of Brazilian Literature, and the third book by this author about the situation of women in the 19th century Brazilian society. Throu...
This is a rags to riches romance about an exceedingly beautiful, poor, young girl (Thurley Ruxton) who is mentored by one of New York’s elite hostesses. In order to draw them into her social circle, she allows all the famous and moneyed populous of Gothem to believe that Thurley is the princess Thurvinia hiding in New York to escape an arranged marriage. This causes all manner of high drama and romance with a suitable ending.
The Money Moon is a light-hearted romance. Jilted in love, our American millionaire hero, George Bellow, takes a walking tour of the Kent countryside to overcome the “Haunting Spectre of the Might Have Been”. Along the way he makes friends with a young boy out to discover a fortune to save his Aunt Anthea from having to sell the family estate and George discovers his ideal “Arcadia” and true love.
The story is set in Padua in a distant, but unspecified past. From his quarters, Giovanni, a young student of letters, observes Beatrice, the beautiful daughter of Dr. Rappaccini, a scientist working in isolation. Beatrice is confined to the lush and locked gardens filled with poisonous plants by her father. Having fallen in love, Giovanni enters the garden and meets with Beatrice a number of times regardless of the warning of his mentor, Professor Baglioni, that Rappaccini is up to no good and he and his work should be avoided.
This personal anthology is my choice of speeches from Shakespeare that I enjoy reading (that I would like to have had by heart years ago!) and that seem to me to illustrate his unsurpassed use of language. He was a man who seemed to know everything about human nature and as Orson Welles said ‘he speaks to everyone and we all claim him’. I know that it has been said that ‘it is impossible to be a great Shakespearian actor without an idiosyncratic and extraordinary voice’ and this may be so, but that does not preclude ordinary mortals from reading, hearing and enjoying Shakespeare.