NOTE: It was translated into English for the first time in 1690 by E. Foxcroft. This translation became the source for many of the modern attempts to improve the original. The translation presented here is that of E. Foxcroft.
Although the book first appeared in 1616, the story takes place over 150 years earlier. It is an allegoric romance (story) divided into Seven Days, or Seven Journeys, like Genesis, and tells us about the way Christian Rosenkreuz was ...
Consolation of Philosophy (Latin: Consolatio Philosophiae) is a philosophical work by Boethius written in about the year 524 AD. It has been described as the single most important and influential work in the West in medieval and early Renaissance Christianity, and is also the last great work that can be called Classical.
Consolation of Philosophy was written during Boethius’ one year imprisonment while awaiting trial, and eventual horrific execution, for the crime of treason by Ostrogothic King Theodoric the Great. Boethius was at the very heights of power in Rome and was brought down by treachery. It was from this experience he was inspired to write a philosophical book from pri...
Metaphysics is essentially a reconciliation of Plato’s theory of Forms that Aristotle acquired at the Academy in Athens, with the view of the world given by common sense and the observations of the natural sciences. According to Plato, the real nature of things is eternal and unchangeable. However, the world we observe around us is constantly and perpetually changing. Aristotle’s genius was to reconcile these two apparently contradictory views of the world. The result is a synthesis of the naturalism of empirical science, and the mysticism of Plato, that informed the Western intellectual tradition for more than two thousand years. At the heart of the book lie three questions. What is e...
Six Characters in Search of an Author (Sei personaggi in cerca d’autore) is the most famous and celebrated play by the Italian writer Luigi Pirandello.
Pirandello, in the preface to the play, says that whenever a reader opens Dante’s Inferno, Francesca will drift down from the dark wind in her circle of Hell and tell the Pilgrim her story; and it will always be for the first time – just as the Mother in Pirandello’s play at one point makes an agonizing cry, always for the first time.
Each character sees events and the other characters differently. Their readings of reality do not match up. No one character is more correct than the other. There are as many vers...