Art audiobooks page 1

In seinen 17 Malerbriefen geht Wilhelm Ostwald in leicht verständlicher Weise auf die Physikalischen (Optik) und Chemischen (Pigmente, Bindemittel) Seiten der malerischen Techniken ein. Er bespricht das Pastell, Aquarell, Guasch, Fresco, Tempera und die Ölmalerei; erklärt die Wirkung von Lichtbrechung und Reflektion einzelner Farben im Zusammenspiel mit den unterschiedlichen Bindemitteln und den verschiedenen Malgründen. Nebenbei gibt er auch noch einige Rezepte zur einfachen Herstellen eigener Farben preis. Abschließend wird noch die Physiologische Seite der Malerischen Techniken angesprochen, indem auf die Darstellung subjektiver Erscheinungen (Blendwirkungen, Nachbilder) eingegangen wi...

Franz Moritz Wilhelm Marc (* 8. Februar 1880 in München; † 4. März 1916 bei Verdun, Frankreich) war ein deutscher Maler und neben Wassily Kandinsky Mitbegründer der Redaktionsgemeinschaft „Der Blaue Reiter“. Er gilt als einer der bedeutendsten Maler des Expressionismus in Deutschland.

Im März 1912 veröffentlichte Franz Marc im PAN (2. Jahrgang, No. 16) ein Artikel über die Neue Malerei, die als Kunstform des seelischen Ausdrucks dem Impressionismus (Darstellung der äußeren Erscheinung der Dinge) diametral gegenüberstand. Max Beckmann (* 12. Februar 1884 in Leipzig; † 27. Dezember 1950 in New York) kritisierte in einer Erwiderung im PAN die Ausführungen von Franz Marc scharf...

Reading the Cup is essentially a domestic form of Fortune-telling to be practiced at home, and with success by anyone who will take the trouble to master the simple rules laid down in these pages: and it is in the hope that it will provide a basis for much innocent and inexpensive amusement and recreation round the tea-table at home, as well as for a more serious study of an interesting subject, that this little guide-book to the science is confidently offered to the public.

One of the earliest works of this Italian philosopher and literary critic, Aesthetic as Science of Expression and General Linguistic marks the beginning of Croce's elaboration of his highly influential ideas of aesthetics. Croce defines art in terms of intuition and expression, thus replacing beauty as the primary criterion for aesthetic evaluation.

Piracy embodies the romance of the sea at its highest expression. It is a sad but inevitable commentary on our civilization, that, so far as the sea is concerned, it has developed from its infancy down to a century or so ago, under one phase or another of piracy. If men were savages on land they were doubly so at sea, and all the years of maritime adventure–years that added to the map of the world till there was little left to discover–could not wholly eradicate the piratical germ.

This is volume 20 ofThe Chronicles of Canada series. This volume describes the explorers who braved the Canadian Arctic in search of the Northwest Passage, focusing on Samuel Hearne, Sir Alexander Mackenzie, and Sir John Franklin.

Rodin has pronounced Rilke's essay the supreme interpretation of his work. (From the translators’ Preface) Auguste Rodin, 1840-1917, was a French sculptor. Although Rodin is generally considered the progenitor of modern sculpture, he did not set out to rebel against the past. He was schooled traditionally, took a craftsman-like approach to his work, and desired academic recognition, although he was never accepted into Paris's foremost school of art. Sculpturally, Rodin possessed a unique ability to model a complex, turbulent, deeply pocketed surface in clay. … Rodin… modeled the human body with realism, and celebrated individual character and physicality. From the unexpected realism...

“A complete exposé of the modus operandi of fire eaters, heat resisters, poison eaters, venomous reptile defiers, sword swallowers, human ostriches, strong men, etc.”, [by Harry Houdini, from the subtitle].

Exacerbated by several high-profile Hollywood scandals, a wave of anti-Hollywood rhetoric tried to paint the movie capital as a veritable hotbed of crime, licentiousness, and moral transgression. THE SINS OF HOLLYWOOD, published in May 1922, is perhaps the most prominent anti-Hollywood polemic published during this turbulent time in film history. This anonymously-written booklet recounts in sensational, lurid detail the various high-profile scandals that precipitated the firestorm surrounding Hollywood's supposed moral turpitude. The author (later identified as former PHOTOPLAY editor Ed Roberts) pulls no punches in his condemnation of "movie vice." He even takes aim at some of Hollywood'...

A biography and critique of Van Dyck in The Masterpieces in Colour series. The Plates of the paintings are fully described and the artistic periods in his life's work are given as well as his place in history.