The Moon and Sixpence is a 1919 short novel by William Somerset Maugham based on the life of the painter Paul Gauguin. The story is told in episodic form by the first-person narrator as a series of glimpses into the mind and soul of the central character, Charles Strickland, a middle aged English stock broker who abandons his wife and children abruptly to pursue his desire to become an artist.

This is a non-fiction collection of Maugham's observations of life in Asia in the early 20th Century.

Rain charts the moral disintegration of a missionary attempting to convert a Pacific island prostitute named Sadie Thompson. (Introduction by an excerpt from Wikipedia)

“I thought it was you I saw coming up the hill,” she said, stretching out her hand.

He stopped and shook it; the touch of his big, firm fingers made her tremble. His hand was massive and hard as if it were hewn of stone. She looked up at him and smiled.

“Isn’t it cold?” she said. It is terrible to be desirous of saying all sorts of passionate things, while convention debars you from any but the most commonplace. (Excerpts from chapter 1.)

The Magician is a novel by British author W. Somerset Maugham, originally published in 1908. In this tale, the magician Oliver Haddo, a caricature of Aleister Crowley, attempts to create life. Crowley wrote a critique of this book under the pen name Oliver Haddo, where he accused Maugham of plagiarism. Maugham wrote The Magician in London, after he had spent some time living in Paris, where he met Aleister Crowley. The novel was later republished with a foreword by Maugham entitled A Fragment of Autobiography. (Wikipedia)

"Canon Spratte saw himself as he thought others might see him: mediocre, pompous, self-assertive, verbose." Maugham could have added ambitious, hypocritical, and vain. In this engrossing social satire, Theodore Spratte, a cleric, motivated by an obsessive desire to be elevated to bishop, embellishes his family history and intrudes upon his son's and daughter's courtships. A reviewer in 1906 wrote, "The whole book is an admirable blend of cynical gaiety and broadly farcical comedy; it is the smartest and most genuinely humorous novel that the season has yet given us." -- Lee Smalley