The Exploits of Juve
Fantômas was introduced a few years after Arsène Lupin, another well-known thief. But whereas Lupin draws the line at murder, Fantômas has no such qualms and is shown as a sociopath who enjoys killing in a sadistic fashion.

He is totally ruthless, gives no mercy, and is loyal to none, not even his own children. He is a master of disguise, always appearing under an assumed identity, often that of a person whom he has murdered. Fantômas makes use of bizarre and improbable techniques in his crimes, such as plague-infested rats, giant snakes, and rooms that fill with sand.

The Exploits of Juve chronicles some of Juve’s adventures in pursuit of this master criminal and en...
Fantômas
Fantômas is the first of 32 novels penned from 1911 to 1913 by Marcel Allain and Pierre Souvestre. The title character is a ruthless thief and killer, a bloodthirsty successor to LeBlanc's Arsène Lupin. The first five novels were made into silent film serials. The character and the movies caught the eye of the French Surrealists who admired the primal violence of Fantômas, as well as his portrayal in the films, which are considered landmarks in French Cinema. In Fantômas, the Marquise de Langrune is savagely murdered and Inspector Juve, who is obsessed with capturing Fantômas, arrives to solve the murder.
Messengers of Evil
Fantômas was introduced a few years after Arsène Lupin, another well-known thief. But whereas Lupin draws the line at murder, Fantômas has no such qualms and is shown as a sociopath who enjoys killing in a sadistic fashion. He is totally ruthless, gives no mercy, and is loyal to none, not even his own children. He is a master of disguise, always appearing under an assumed identity, often that of a person whom he has murdered. Fantômas makes use of bizarre and improbable techniques in his crimes, such as plague-infested rats, giant snakes, and rooms that fill with sand.
Messengers of Evil begins when “... Baroness de Vibray, well known in the Parisian world and among artists, whose ge...
  • 1