Pericles, Prince of Tyre is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. Modern editors generally agree that Shakespeare is responsible for almost exactly half the play—827 lines—the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies indicate that the first two acts of 835 lines detailing the many voyages of Pericles were written by a mediocre collaborator, which strong evidence suggests to have been the victualler, pander, dramatist and pamphleteer George Wilkins.

The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Lucretia. Lucrece draws on the story described in both Ovid's Fasti and Livy's history of Rome. In 509 BC, Sextus Tarquinius, son of Tarquin, the king of Rome, raped Lucretia (Lucrece), wife of Collatinus, one of the king's aristocratic retainers. As a result, Lucrece committed suicide. Her body was paraded in the Roman Forum by the king's nephew. This incited a full-scale revolt against the Tarquins led by Lucius Junius Brutus, the banishment of the royal family, and the founding of the Roman republic.

This is a collection of scenes from Shakespeare's plays, mainly comprising dialogues between two characters. The theme for this collection is "Wooing, Wedding, and Repenting" (inspired by a line from Much Ado About Nothing).

The Life of Timon of Athens is a play by William Shakespeare about the fortunes of an Athenian named Timon (and probably influenced by the philosopher of the same name, as well), generally regarded as one of his most obscure and difficult works. Originally grouped with the tragedies, it is generally considered such, but some scholars group it with the problem plays. The play has caused considerable debate among scholars. It is oddly constructed, with several lacunae (gaps) and for this reason is often described as unfinished, multi-authored, and/or experimental. No precise date of composition can be given and, while most place it as close but prior to the late romances, theories posited h...

Venus and Adonis is Shakespeare's narrative poem about the love of the goddess Venus for the mortal youth Adonis, dedicated partly to his patron, the Earl of Southampton (thought by some to be the beautiful youth to which many of the Sonnets are addressed). The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results. This recording features three different readers performing the narration, Venus, and Adonis.

Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whose misadventured piteous overthrows
Do with their death bury their parents' strife.

Much Ado About Nothing is generally considered one of Shakespeare’s best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. Much Ado About Nothing chronicles two pairs of lovers: Benedick and Beatrice (the main couple), and Claudio and Hero (the secondary couple). Benedick and Beatrice are engaged in a very "merry war"; they are both very witty and proclaim their disdain of love. In contrast, Claudio and Hero are sweet young people who are rendered practically speechless by their love for one another. Although the young lovers Hero and Claudio provide the main impetus for the plot, the courtship between the wittier,...

This is the eleventh collection of monologues from Shakespeare's various plays. Various characters will speak on various topics, some of these teach a lesson, some simply characterize Shakespeare at his best, some are funny, some sad, but all are very moving.

Shakespeare's pastoral comedy was written and first performed around 1599, and presents some of his familiar motifs: a cross-dressing heroine, a wise-cracking fool, brothers usurping their brothers' power, a journey from the court to the country, and various romantic entanglements.