Classic shortish story by Conrad that relates his self-thought alienation from British society, as a young foreign man survives a shipwreck off the coast of Kent, England only to be shunned by most of the townsfolk. The one exception is the loving, if dull-witted, Miss Foster.

The Mirror of the Sea is a collection of autobiographical essays first published in various magazines 1904-6. Conrad early in his life earned his bread as a Master Mariner in sailing ships. In his Author’s Note to this work, Conrad states,”Beyond the line of the sea horizon the world for me did not exist….Within these pages I make a full confession not of my sins but of my emotions. It is the best tribute my piety can offer to the ultimate shapers of my character, convictions, and, in a sense, destiny—to the imperishable sea, to the ships that are no more, and to the simple men who have had their day.”

Señor Gould is a native Costaguanan of English descent who owns the silver-mining concession in Sulaco. He is tired of the political instability in Costaguana and its concomitant corruption, and puts his weight behind the Ribierist project, which he believes will finally bring stability to the country after years of misrule and tyranny by self-serving dictators. Instead, the silver mine and the wealth it has generated become a magnet for local warlords to fight over, plunging Costaguana into a new round of chaos. Among others, the revolutionary Montero invades Sulaco; Señor Gould, adamant that his silver should not become spoil for his enemies, entrusts it to Nostromo, the trusted "capata...

Dedicated to the author's son who was wounded in World War 1, The Shadow-Line is a short novel based at sea by Joseph Conrad; it is one of his later works, being written from February to December 1915. It was first published in 1916 as a serial and in book form in 1917. The novella depicts the development of a young man upon taking a captaincy in the Orient, with the shadow line of the title representing the threshold of this development. The novella is notable for its dual narrative structure. The full, subtitled title of the novel is The Shadow-Line, A Confession, which immediately alerts the reader to the retrospective nature of the novella. The ironic constructions following from the...

Set during the Napoleonic Wars, “The Point of Honor” (English title: “The Duel”) features two French Hussar officers, D’Hubert and Feraud. Their quarrel over an initially minor incident turns into a bitter, long-drawn out struggle over the following fifteen years, interwoven with the larger conflict that provides its backdrop. At the beginning, Feraud is the one who jealously guards his honor and repeatedly demands satisfaction anew when a duelling encounter ends inconclusively; he aggressively pursues every opportunity to locate and duel his foe. As the story progresses, D’Hubert also finds himself caught up in the contest, unable to back down or walk away.

This Conrad short st...

Tales of Unrest (1898) is the first collection of short stories by Joseph Conrad published in his lifetime.

Joseph Conrad (1857–1924), a Polish-born English novelist, was a master in the formats of long short story and novella, a form of story longer than conventional short story but shorter than a novel. Some of Conrad's most acclaimed works have been written in these formats, most notably Heart of Darkness (1899).

Tales of Unrest contains five stories; Karain: A Memory (written 1897; read by Jhiu), The Idiots (1896; read by Ann Boulais), An Outpost of Progress (1896; read by Kristine Bekere), The Return (1897; read by Raerity) and The Lagoon (1896; read by David Lazarus). ...

First published in 1902 as a serial in Pall Mall Magazine, the adventure novel follows the disrupting events onboard a steamboat after it takes a perilous course at sea, which triggers a state of mayhem onboard the steamer. Furthermore, the incident prompts the crew to gradually reveal their true nature which is brought to light in the time of crisis. Interestingly, the tale is believed to possess some autobiographical elements taken from Conrad’s own experiences at sea, which provide the novel with a strong foundation, as he effectively uses personification, imagery, and descriptive language to accurately illustrate the danger and chaos instigated by a powerful storm at sea.