A Short History of England

Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today.


“But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information provided about England in the last two or three centuries, in which its present industrial system was being built up, and the general information given about the preceding centu...

The Trees of Pride
Three trees, known as the Peacock trees, are blamed by the peasants for the fever that has killed many. Squire Vane scoffs at this legend as superstition. To prove them wrong, once and for all, he takes a bet to spend the night in the trees. In the morning he has vanished. Is he dead, and if so who has killed him? The poet? The lawyer? The woodsman? The trees?
What's Wrong With the World

Gilbert Keith Chesterton (1874–1936) has been called the “prince of paradox.” Time magazine observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out.” His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction.

The title of Chesteron’s 1910 collection of essays was inspired by a title given to him two years earlier by The Times newspaper, which had asked a number of authors to write on the topic: “What’s wrong with the world?”. Chesterton’s answer at that time was the shortest of those submitted – he ...

A Chesterton Calendar
Go through the year, day by day, with the wit and wisdom of G.K. Chesterton! Compiled from the writings of 'G.K.C', both in verse and in prose, each day of the year is provided with a generally short quotation from one of his many works. Also includes a section apart for the moveable feasts.
Wild Knight and Other Poems
A collection of poems that tend to revolve around the theme of the wonder of the world. It includes the short, poetic play, "The Wild Knight".

Alarms and Discursions

Gilbert Keith Chesterton was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the “prince of paradox.” He wrote in an off-hand, whimsical prose studded with startling formulations. Chesterton wrote about 4000 essays on various subjects, and “Ararms and Discursions is one of his collections.

The Appetite of Tyranny

“Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people’s weaknesses as well as my own. It may be that the master of the house was burned because he was drunk; it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of the fire-escape. It is, nevertheless, broadly true that they both were burned because I set fire to their house. That is the story of the thing. The mere facts of the story about the present European conflagration are quite as easy to tell.”

Verteidigung des Unsinns, der Demut, des Schundromans und anderer mißachteter Dinge
Verschiedene Essays, in denen Dinge wie Schundromane, Planeten, Posse, Demut und unüberlegte Gelübde verteidigt werden. Ein hochvergnügliches Augenzwinkern ist unüberseh- bzw. unüberhörbar. ( Zusammenfassung von Bernd Ungerer)

The Appreciations and Criticisms of the Works of Charles Dickens

“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit.

Nevertheless the essays were not in intention so aimless as they appear in fact. I had a general notion of what needed saying about Dickens to the new generation, though probably I did not say it. I will make another attempt to do so in t...